West Coast Trail

This is a work in progress

It's huge and taking forever. 40x59 inches. I see why big paintings cost so much more. The material alone cost so much. It's sucking up a lot of paint. Will probably be about 5 big 20 ml tubes. And the paper itself was in the $160 range. So that's about $250 total. And i'm not convinced it'll even turn out. I can't even imagine what it would cost to frame. But it will be unique.

I've never seen a watercolor so big. Keeping my fingers crossed it will turn out and not just be crumpled up and used as fire starter.

Landscape

I was happy with the way this one started. Before the above photo. I think one of the difficulties I'm having is not planning the colours before getting started and using transparent vs. staining paints in the wrong succession.

The painting below is still a bit tonally flat. The middle foreground shape needs to be dark as well. The hole into the background is also too big. It also needs a pop of colour; maybe red?

Update 12-Nov-12: I wasn't happy with the painting, so added a bunch of rose and violet while it was under wet plastic wrap. That didn't improve it. Was even flatter, muddier, and dark. So I tried to scrub off vertical strips of paint. And this is how it is. This is probably how I'll leave it.

Or I could run the whole kaboodle under the bathtub faucet and see where to go from there?

Portrait Attempt

I've been looking at all the wonderful watercolor portraits on flickr and inspired to try one myself. Judging by my sketch it might not be very realistic. The model is much more attractive. Hopefully the finished painting will capture that. I'll take more pictures to show the work in progress.

updated Bohemian Forest Woman

detail of work in progress

Even though i've had lots of great response to the photo of the painting posted two days ago, I wasn't quite satisfied. Jackie always yells "no, leave it alone" when she sees work in progress she likes, but i keep working it. Well we can always make a nice print from the photo of how that painting was.

Firstly i bought some masking fluid. I've never used that before. I applied it over the figure. Then i wetted the rest of the painting and put down plastic wrap with vertical wrinkles. Was hoping the results would look much better. The paper buckled horizontally when wet and the vertical pattern of the wrap didn't impact like i imagined.

So i'm going to try the realistic style again and see if i can paint some trees that make me happy. If not, they'll get massacred again.

These photos of the work in progress show the masking fluid over the figure. So i'm hoping that the figure will look like it did two days ago when i'm finally satisfied with the trees and peel off the mask. Stay tuned.

Work Still in progress

I worked on Joanie's painting some more. The green background paint was wetted and lifted. I don't like the edge the green painters tape made along the topside of the canopy. The paint bled a wee bit under the tape. Maybe i'm applying the tape incorrectly? Wow, i really like the how this photo looks because the dappled light was shining thru the window onto the painting. I wish i could make the painting look like this under regular circumstances.

Because the other print Joanie has is kinda bluish, I thought i'd try to stick with more of the same palette. So i painted the background blue. The painters tape edge is still present so i'll have to tackle that somehow. I think i'll try to lift the blue in somesort of random manner to emulate the impressionist light i got photographing the previous version.

I should be using a better camera than my cell phone to capture these work in progress photos so i can upload them to my istockphoto account. Kinda silly not to.

Today i'm feeling a bit blue. Shouldn't be. It was a pretty good weekend. Enjoyed taking my parents to Stagewest. And they loved it. Had a challenging run in the morning and stretched my hamstrings good thereafter. So shouldn't ask for more. Just feeling blah.

Felt like this for a couple weeks. Thismorning my photography looks really boring compared to others on Flickr. I thought it was because my new focus on booking shoots was plateauing six weeks into the new year, and that's just how the mind works, focus fades and i'd just have to bust thru it.

But this coffee has given my a new idea, even though this Blackswan book i'm reading says i should lay off the causal explanations for stuff. I've speculated before that lack of sleep makes me blue. So maybe that's all that's necessary. Get some sleep and life is good.

Headshot

I'm making another attempt at my headshot abstract painting. This time a number of little study paintings were done until a reasonably pleasing design was achieved. The two primary colours were picked utilizing the blue and yellow mixing study (see the previous post). I liked the way Prussian blue and Cad yellow combined. I wanted one of the colours to be warm and the other cooler to get a yin yang thing going on. But i also wanted the blues and greens to be a little bit representative of the subject's eye colour. I'm not sure if either of these objectives were met, but i'll save judgement until the end.

I've been having a hard time making any progress on this project in the last few days. Perhaps it's a function of the holidays or maybe non-negotiable time will have to be scheduled specifically for painting. I want to get a portfolio together for the restaurant auction asap.


Update: January 7, 2009

Yellow strokes were added over the first wash of blue strokes. Then i decided the big opening in the centre needed some horizontal action. I still don't disagree with that, however as soon as i put the horizontal blue strokes in the centre of the painting i was kicking myself. I should have been more careful and put some compositional thought into it. After that dried, i added some yellow underneath the horizontal blue to try and move the centre of that mess downward, unsuccessfully.

I added another blue layer vertically to try and fill in that centre hole and repeat the vertical curvy line left of centre. But the horizontal line still stuck out like a sore thumb.

I filled in some of the white negative space with a very diffuse yellow wash to try and take the bright edge off. Then i wanted to add some black to the most predominate gestures to fill in the darker side of a full tonal range, to have a complete tonal range in each gesture. Then I decided to move the whole key of the painting to dark and blue.

I washed off paint along the sides of the gestures trying again to add tonal depth to the gestures.

I'm pretty happy with it now, however i think it needs something in top right to balance the painting, and i'm going to try and wash off more of that horizontal stroke in the centre.

Update: January 8, 2009

Those few horizontal brushstrokes in the middle are causing the most trouble in this painting. I re-wetted the paper and tried moving the paint around to "erase" them. I then had to reinforce the vertical lines that were over the horizontal ones. That wasn't as successful as i hoped. Then i took a plastic eraser to the offensive parts and again had to re-apply paint to the vertical strokes. I think the horizontal part isn't sticking out as much as a couple days ago. After applying so much dark tones on the vertical marks over the horizontal line, i think the whole thing is now looking tonally flat. I also made a dark horizontal line in the top right corner to add a little more balance.

I splatted some Prussian blue on the light area at the top, and quite liked that. I then splatted water on the middle and lower third hoping to get more interesting texture to compensate for the whole thing still looking flat. But that didn't do much. So i went back to the old crutch and applied yellowish wash onto the entire surface of a big piece of cellophane film and lay that on top of the entire painting. I let that dry before removing it. It's done.

I asked Di if she liked it, and she said "no". I chuckled inside. This girl is brutally honest; to a fault sometimes. I guess it's not really a fault, just brutal. And given a choice I'd rather hear the truth than have a friend awkwardly lie. I think the photo of the painting looks better and is more vibrant than the actual painting. Maybe i should spray glossy fixer on it? I don't like the painting either, so Di and i are in agreement. I'll keep it, but hopefully i'll come up with some better stuff for the auction.