Plastic Wrap Abstract

I wasn't painting anything in particular. Hardly a plan. Abstract expressionism. This is the result.

11x17" watercolour

It looks rather cold. My wife sees a person. I asked who, but she must have known I was teasing and didn't answer. It wasn't my intention to paint a figure.

The technique was to paint the entire sheet yellow, then lay wrinkled plastic wrap on top the yellow paint. The painting was stood upright and very wet runny grey and blue paint was made to run down the wrinkles under the wrap. This was allowed to set for 30 minutes or so, and then the wrap was taken off, washed under a faucet and layed on the painting again.  Then violet paint was run under the wrinkles. This set for another 30 minutes and then wrap removed to let the paper dry.

Update 21-Sep-12:
So I said I was happy with the painting. But not over the moon. And I'd taken a picture of it. So why not give it another treatment. So I wet the paper again and let some runny cad yellow run under the wrinkles. When that dried, some spots were wet and lifted. Many of the edges look softer from the additional washes.

I'm still not over the moon about it. But I like it. I don't think it's going to be improved with any more similar treatments. It would take a major renovation to blow my hair back

Headshot

I'm making another attempt at my headshot abstract painting. This time a number of little study paintings were done until a reasonably pleasing design was achieved. The two primary colours were picked utilizing the blue and yellow mixing study (see the previous post). I liked the way Prussian blue and Cad yellow combined. I wanted one of the colours to be warm and the other cooler to get a yin yang thing going on. But i also wanted the blues and greens to be a little bit representative of the subject's eye colour. I'm not sure if either of these objectives were met, but i'll save judgement until the end.

I've been having a hard time making any progress on this project in the last few days. Perhaps it's a function of the holidays or maybe non-negotiable time will have to be scheduled specifically for painting. I want to get a portfolio together for the restaurant auction asap.


Update: January 7, 2009

Yellow strokes were added over the first wash of blue strokes. Then i decided the big opening in the centre needed some horizontal action. I still don't disagree with that, however as soon as i put the horizontal blue strokes in the centre of the painting i was kicking myself. I should have been more careful and put some compositional thought into it. After that dried, i added some yellow underneath the horizontal blue to try and move the centre of that mess downward, unsuccessfully.

I added another blue layer vertically to try and fill in that centre hole and repeat the vertical curvy line left of centre. But the horizontal line still stuck out like a sore thumb.

I filled in some of the white negative space with a very diffuse yellow wash to try and take the bright edge off. Then i wanted to add some black to the most predominate gestures to fill in the darker side of a full tonal range, to have a complete tonal range in each gesture. Then I decided to move the whole key of the painting to dark and blue.

I washed off paint along the sides of the gestures trying again to add tonal depth to the gestures.

I'm pretty happy with it now, however i think it needs something in top right to balance the painting, and i'm going to try and wash off more of that horizontal stroke in the centre.

Update: January 8, 2009

Those few horizontal brushstrokes in the middle are causing the most trouble in this painting. I re-wetted the paper and tried moving the paint around to "erase" them. I then had to reinforce the vertical lines that were over the horizontal ones. That wasn't as successful as i hoped. Then i took a plastic eraser to the offensive parts and again had to re-apply paint to the vertical strokes. I think the horizontal part isn't sticking out as much as a couple days ago. After applying so much dark tones on the vertical marks over the horizontal line, i think the whole thing is now looking tonally flat. I also made a dark horizontal line in the top right corner to add a little more balance.

I splatted some Prussian blue on the light area at the top, and quite liked that. I then splatted water on the middle and lower third hoping to get more interesting texture to compensate for the whole thing still looking flat. But that didn't do much. So i went back to the old crutch and applied yellowish wash onto the entire surface of a big piece of cellophane film and lay that on top of the entire painting. I let that dry before removing it. It's done.

I asked Di if she liked it, and she said "no". I chuckled inside. This girl is brutally honest; to a fault sometimes. I guess it's not really a fault, just brutal. And given a choice I'd rather hear the truth than have a friend awkwardly lie. I think the photo of the painting looks better and is more vibrant than the actual painting. Maybe i should spray glossy fixer on it? I don't like the painting either, so Di and i are in agreement. I'll keep it, but hopefully i'll come up with some better stuff for the auction.

Blue and Yellow

Blue and Yellow
Originally uploaded by philsajonesen

Here is another study of different yellows and blues mixing together. I suppose this kind of experiment should be done over and over because it might make a difference what colour is on top, the paper, or the dilution of the washes.

Blue and Red

Blue and Red
Originally uploaded by philsajonesen

This isn't too exciting. Just a little experiment to see how the different blues and reds look one wash over another. It also gives me a pretty clear idea which reds and blues are cooler and warmer than others.

Motivation wise, i have a couple things to keep me busy and productive. Recently we learned one of our close friends has breast cancer, so i wanted to do something positive. I talked with my friend Darren Nixon who has a restaurant, Divine and some available wall space, so i talked with him about having a silent auction of my paintings to raise money to fight breast cancer. So i need to keep focused and get productive.