I like this painting now. I didn't when it was first finished. It turned out much different than intended. So perhaps disappointed at first and not liking it for what it is. But we're all good now.
I wanted to make a pretty realistic portrait and then put wet wrap over it and smush it around until it was partially unrecognizable. That is, eyes and nose and mouth etc might blend or be distorted. After the smushing everything was unrecognizable and only a vague outline of head and shoulders remained.
I feel like I'm learning a lot everyday about how to paint watercolors and my learning curve is very steep right now. If that is true, I must still be at the very start of my 10,000 hours of painting. That's kind of exciting.
Recent revelations include:
1. layering a colour over another before the first one is BONE DRY will lift the first one and reveal blank paper underneath.
2. A dry brush swished around over almost dry paint or a slight damp area can make some nice brush strokes.
3. Over mixing of colours makes a muddy dull color.
None of these revelations really relate to the painting above. The Peru pictures are move applicable.