Landscape

I was happy with the way this one started. Before the above photo. I think one of the difficulties I'm having is not planning the colours before getting started and using transparent vs. staining paints in the wrong succession.

The painting below is still a bit tonally flat. The middle foreground shape needs to be dark as well. The hole into the background is also too big. It also needs a pop of colour; maybe red?

Update 12-Nov-12: I wasn't happy with the painting, so added a bunch of rose and violet while it was under wet plastic wrap. That didn't improve it. Was even flatter, muddier, and dark. So I tried to scrub off vertical strips of paint. And this is how it is. This is probably how I'll leave it.

Or I could run the whole kaboodle under the bathtub faucet and see where to go from there?

Abstract

11x17"watercolour

I was organizing the office putting paintings into appropriately sized boxes, when I found a couple paintings that I appreciate now more than when they were completed. Pretty sure this is 2012 vintage.

I like the textures within the various colour fields. I also like the transparencies of the orange and blue on the left. I'm not sure what is on top of what and what it means?

Painting workshop

My wife bought me a one day painting workshop taught by Eleanor Lowden Pidgeon at the Calgary School of Art. The title of the workshop is "Courageous Watercolor" referring to the bold colours in her painting style.

At first I wasn't too sure if Di picked the right course for me because Ms Lowden Pidgeon's paintings are quite different than how I see my style. But I think that is why I liked the workshop so much. I got to see two demos and try a completely new process of painting. I was exposed to new things, as opposed to if I'd taken a class on techniques I was already familiar with.

She is quite careful about planning her paintings. Choosing the colours and the order they will be applied. Making sure not to mute or muddy the colours, except of course when she means to.

The colours in this painting are a bit muddy, but we decided it was okay since these are meant to be shadowy areas.

The top photo is what I produced at the workshop. I was pretty happy with it at this point, but not 100%. So I took a photo and brushed some water over the trees and sky meant to appear distant. I didn't want those trees to be as boldly coloured as the foreground trees. The second photo is the result. I had unintentionally scrubbed whole trees from existence. The third photo is the final result. I painted distant trees again, but with paint much more diluted in water.

Viewing these three photos of the painting, it is also quite apparent the photoshop treatment is not consistent. the trees on the right were not repainted but the contrast changes quite a bit between photos.

Not Landscape Abstract

Initially, I intended this to be a landscape. I wanted to practice making converging horizontal lines at the top to represent landscape off in the distance. Plastic wrap was lay over the green and red areas and black run under the wrap mixing the green and red. The mixing didn't happen as much as wanted. The darker bottom where the black was poured would represent the foreground and the lighter less contrast top would be the distance. I even gave the top a mauve wash, the colour of distant hills. I was really trying to give it 3D perspective.

Then I asked my friend what he thought of it, and he looked at it vertically. It really looks more interesting vertically than horizontal. So it's not a landscape now, and all that 3D perspective business is for not.

Rorschach Card

I like this one. It's interesting. But I have no idea what it is? A Rorschack question I suppose.

Plastic Wrap Abstract

I wasn't painting anything in particular. Hardly a plan. Abstract expressionism. This is the result.

11x17" watercolour

It looks rather cold. My wife sees a person. I asked who, but she must have known I was teasing and didn't answer. It wasn't my intention to paint a figure.

The technique was to paint the entire sheet yellow, then lay wrinkled plastic wrap on top the yellow paint. The painting was stood upright and very wet runny grey and blue paint was made to run down the wrinkles under the wrap. This was allowed to set for 30 minutes or so, and then the wrap was taken off, washed under a faucet and layed on the painting again.  Then violet paint was run under the wrinkles. This set for another 30 minutes and then wrap removed to let the paper dry.

Update 21-Sep-12:
So I said I was happy with the painting. But not over the moon. And I'd taken a picture of it. So why not give it another treatment. So I wet the paper again and let some runny cad yellow run under the wrinkles. When that dried, some spots were wet and lifted. Many of the edges look softer from the additional washes.

I'm still not over the moon about it. But I like it. I don't think it's going to be improved with any more similar treatments. It would take a major renovation to blow my hair back

Abstract Landscape

11x17" watercolour

At first I wasn't sure, but the finished painting is growing on me. I've flipped it upside down, looked at it in the mirror, close, far way. It seems pretty done.